Mcknnly - We Fucked Up

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Special Thanks Dizzy Fae, Reyna B, Styxx

Mcknnly’s, “We Fucked Up” offers a timeless New Age take on classic 60’s American pop ballads, about a situation where two parties have come to the respectful conclusion that they’ve both contributed to the demise of the relationship they once had. The lyrics tell a story where the two remain hopeful that despite the past, they could still be cool and potentially rekindle what once was, but in a different light.

This is the second release from singer-songwriter Mcknnly, born and raised in the Twin Cities, now based in Los Angeles. Mcknnly’s first single, "That's On Me," is available on all major platforms.

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Special Thanks Dizzy Fae, Reyna B, Styxx

Mcknnly’s, “We Fucked Up” offers a timeless New Age take on classic 60’s American pop ballads, about a situation where two parties have come to the respectful conclusion that they’ve both contributed to the demise of the relationship they once had. The lyrics tell a story where the two remain hopeful that despite the past, they could still be cool and potentially rekindle what once was, but in a different light.

This is the second release from singer-songwriter Mcknnly, born and raised in the Twin Cities, now based in Los Angeles. Mcknnly’s first single, "That's On Me," is available on all major platforms.

Special Thanks Dizzy Fae, Reyna B, Styxx

Mcknnly’s, “We Fucked Up” offers a timeless New Age take on classic 60’s American pop ballads, about a situation where two parties have come to the respectful conclusion that they’ve both contributed to the demise of the relationship they once had. The lyrics tell a story where the two remain hopeful that despite the past, they could still be cool and potentially rekindle what once was, but in a different light.

This is the second release from singer-songwriter Mcknnly, born and raised in the Twin Cities, now based in Los Angeles. Mcknnly’s first single, "That's On Me," is available on all major platforms.

Director: Breon Jones
Credits: Assistant Camera & Editing by Serena Violet Hodges, Adam Foster Jacobs